Aphex 323a manual

We are extremely excited to be offering these industry leading cutters to our customers! It is the art and science of the Dominator series. As a result of these efforts, modifications may be made from time to time to existing products without prior notice.

Specifications and appearance may differ from those listed or shown. Part No. Page 1. Aphex aphex manual. The Aphex Expressor is considered by most to be a classic piece of gear. One of the cleanest, low cost compressors around. These units have all the standard controls input, threshold, ratio, attack, release plus some additional features. Studio quality compressor and limiter. We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation.

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Learn more on the Seller Hub. Sell Yours Now. Similar Listings. Used — Very Good. Add to Cart. Used — Good. Aphex Dominator module for dbx Series racks not Series compatible. Used — Mint. Used — Poor. Aphex Easyrider 2 channel automatic compressor [Three Wave Music]. Used — Excellent. Learn more. You may notice that the 'cookie consent' form pops up more often than usual lately - we are tweaking it behind-the-scenes to make sure it's working comprehensively.

If you see it again it's because something has changed so please set your preferences accordingly. Aphex Compellor A. While rummaging around in my new studio space formerly broadcast studios I came across an Aphex Compellor A.

I know basically what it does sorta But I also know that it's used a lot even predominantly? Bob Ross. I love Compellors in the recording studio. It's really cool for those times where you want what a compressor was originally designed to do but you don't want what compressors all wound up doing I've been able to nearly freeze the VU meters on the 2-track when playing a full rock mix through the Compellor and still have visiting engineers ask "is this thing working?

I don't hear it at all. I use it a lot in series with after a more overt, colored compressor, just to get more compression without more compression artifacts, and to make the track "sit" resolutely. Nice for pulling up low level detail in ambiences and atmosphere tracks too. Rick Sutton. I use them all the time for acoustic instruments acoustic guitar, mandolin etc and also on choirs.

Y'know, actually it sounds perfect for a few things around here I really like the transparency aspect of it, as I try to keep things as natural and uncolored as I can on some tracks.

I'll load that baby in the racks tomorrow morning. Thanks for the info! My Studio. Love them! Awesome for what they do. I use them inserted into a matrix send to DVCam audio inputs and a send to a duplication room.

You really have to be a moron not to get good smooth levels with these.